-- 作者:月光浩
-- 发布时间:2005-7-24 2:42:39
-- 戈多夫斯基改编的肖邦练习曲列表
| No. |
Title |
Date of publication |
Publisher |
Dedication |
| 1. |
Op. 10 No. 1, C major (diatonic) |
June 24, 1899 |
G. S. |
|
| May 14, 1903 |
S. B. M. / G. S. |
Theodor Leschetizky |
| 2. |
Op. 10 No. 1, D-flat (left-hand alone) |
September 3, 1909 |
S. B. M. / G. S. |
|
| 3. |
Op. 10 No. 2, A minor (left-hand alone) |
June 24, 1899 |
G. S. |
|
| April 27, 1903 |
S. B. M. / G. S. |
|
| 4. |
Op. 10 No. 2, A minor (\'Ignis Fatuus\') |
May 14, 1903 |
S. B. M. / G. S. |
Moriz Rosenthal |
| - |
Op. 10 No. 2, A minor |
- |
(unpub.) |
|
| 5. |
Op. 10 No. 3, D-flat major (left-hand alone) |
September 3, 1909 |
S. B. M. / G. S. |
|
| 6. |
Op. 10 No. 4, C-sharp minor (left-hand alone) |
September 3, 1909 |
S. B. M. / G. S. |
|
| 7. |
Op. 10 No. 5, G-flat major (on black keys) |
June 24, 1899 |
G. S. |
|
| May 14, 1903 |
S. B. M. / G. S. |
|
| 8. |
Op. 10 No. 5, C major (on white keys) |
April 27, 1903 |
S. B. M. / G. S. |
Albert Friedenthal |
| 9. |
Op. 10 No. 5, A minor (Tarantella) |
April 27, 1903 |
S. B. M. / G. S. |
Willy Rehberg |
| 10. |
Op. 10 No. 5, A major (Capriccio; study on black and white keys) |
April 27, 1903 |
S. B. M. / G. S. |
Ernesto Consolo |
| 11. |
Op. 10 No. 5, G-flat major (inversion, for the left hand, on black keys) |
September 3, 1909 |
S. B. M. / G. S. |
|
| 12. |
Op. 10 No. 5, G-flat major (inversion, for the right hand, on black keys) |
September 3, 1909 |
S. B. M. / G. S. |
|
| 12a. |
Op. 10 No. 5, G-flat major (left-hand alone) |
September 3, 1909 |
S. B. M. / G. S. |
|
| - |
Op. 10 No. 5 |
- |
(unpub.) |
|
| - |
Op. 10 No. 5 |
- |
(unpub.) |
|
| 13. |
Op. 10 No. 6, E-flat minor (left-hand alone) |
September 3, 1909 |
S. B. M. / G. S. |
|
| 14. |
Op. 10 No. 7, C major (Toccata) |
June 24, 1899 |
G. S. |
|
| April 27, 1903 |
S. B. M. / G. S. |
Franz Kullak |
| 15. |
Op. 10 No. 7, G-flat major (Nocturne) |
May 14, 1903 |
S. B. M. / G. S. |
Arthur Friedheim |
| 15a. |
Op. 10 No. 7, E-flat major (left-hand alone) |
December 1, 1914 |
S. B. M. / G. S. |
Hans von Schiller |
| 16. |
Op. 10 No. 8, F major |
May 14, 1903 |
S. B. M. / G. S. |
Teresa Carreño |
| 16a. |
Op. 10 No. 8, G-flat major (left-hand alone) |
December 1, 1914 |
S. B. M. / G. S. |
William L. Hubbard |
| 17. |
Op. 10 No. 9, C-sharp minor |
May 14, 1903 |
S. B. M. / G. S. |
|
| 18. |
Op. 10 No. 9, F minor (imitation of Op. 25 No. 2) |
May 14, 1903 |
S. B. M. / G. S. |
|
| 18a. |
Op. 10 No. 9, F-sharp minor (left-hand alone) |
September 3, 1909 |
S. B. M. / G. S. |
|
| 19. |
Op. 10 No. 10, D major |
May 14, 1903 |
S. B. M. / G. S. |
|
| 20. |
Op. 10 No. 10, A-flat major (left-hand alone) |
December 1, 1914 |
S. B. M. |
|
| 21. |
Op. 10 No. 11, A major (left-hand alone) |
May 14, 1903 |
S. B. M. / G. S. |
Maurice Aronson |
| 22. |
Op. 10 No. 12, C-sharp minor (left-hand alone) |
September 3, 1909 |
S. B. M. / G. S. |
|
| 23. |
Op. 25 No. 1, A-flat major (left-hand alone) |
May 14, 1903 |
S. B. M. / G. S. |
William Mason |
| 24. |
Op. 25 No. 1, A-flat major (like a piece for four hands) |
April 27, 1903 |
S. B. M. / G. S. |
|
| 25. |
Op. 25 No. 1, A-flat major |
July 25, 1904 |
S. B. M. / G. S. |
|
| 26. |
Op. 25 No. 2, F minor |
May 14, 1903 |
S. B. M. / G. S. |
Vladimir de Pachmann |
| 27. |
Op. 25 No. 2, F minor (Waltz) |
May 14, 1903 |
S. B. M. / G. S. |
Josef Hofmann |
| 28. |
Op. 25 No. 2, F minor (Two separate versions: a. for the right hand; b. in octaves) |
May 14, 1903 |
S. B. M. / G. S. |
|
| 28a. |
Op. 25 No. 2, F-sharp minor (left-hand alone) |
December 1, 1914 |
S. B. M. / G. S. |
|
| 29. |
Op. 25 No. 3, F major |
July 25, 1904 |
S. B. M. / G. S. |
Ludwig Breitner |
| 30. |
Op. 25 No. 3, F major (left-hand alone) |
July 1, 1914 |
S. B. M. |
|
| 31. |
Op. 25 No. 4, A minor (left-hand alone) |
June 24, 1899 |
G. S. |
|
| July 25, 1904 |
S. B. M. / G. S. |
|
| 32. |
Op. 25 No. 4, F minor (Polonaise) |
May 14, 1903 |
S. B. M. / G. S. |
|
| 33. |
Op. 25 No. 5, E minor |
June 24, 1899 |
G. S. |
|
| October 20, 1905 |
S. B. M. / G. S. |
|
| 34. |
Op. 25 No. 5, C-sharp minor (in the form of a mazurka) |
July 25, 1904 |
S. B. M. / G. S. |
Prof. E. E. Taubert |
| 35. |
Op. 25 No. 5, B-flat minor (left-hand alone) |
December 1, 1914 |
S. B. M. |
|
| 36. |
Op. 25 No. 6, G-sharp minor (study in thirds) |
December 4, 1894 |
H. K. |
Camille Saint-Saëns |
| June 24, 1899 |
G. S. |
|
| October 20, 1905 |
S. B. M. / G. S. |
|
| - |
Op. 25 No. 6 |
- |
(unpub.) |
|
| - |
Op. 25 No. 7 |
- |
(unpub.) |
|
| 37. |
[does not exist] |
|
|
|
| 38. |
Op. 25 No. 8, D-flat major (study in sixths) |
July 25, 1904 |
S. B. M. / G. S. |
Ignace Jan Paderewski |
| - |
Op. 25 No. 8, D-flat major (study in thirds) |
- |
(unpub.) |
|
| 39. |
Op. 25 No. 9, G-flat major |
June 24, 1899 |
G. S. |
|
| July 25, 1904 |
S. B. M. / G. S. |
|
| 40. |
Op. 25 No. 9, G-flat major (left-hand alone) |
December 1, 1914 |
S. B. M. |
|
| 41. |
Op. 25 No. 10, B minor (left-hand alone) |
December 1, 1914 |
S. B. M. |
|
| 42. |
Op. 25 No. 11, A minor |
July 25, 1904 |
S. B. M. / G. S. |
|
| 43. |
Op. 25 No. 12, C-sharp minor (left-hand alone) |
September 3, 1909 |
S. B. M. / G. S. |
|
| 44. |
Trois nouvelles études No. 1, F minor (left-hand alone) |
December 1, 1914 |
S. B. M. |
|
| 45. |
Trois nouvelles études No. 2, E major (left-hand alone) |
March 24, 1906 |
S. B. M. / G. S. |
|
| 45a. |
Trois nouvelles études No. 2, D-flat major |
December 1, 1914 |
S. B. M. |
|
| 46. |
Trois nouvelles études No. 3, G major (Menuetto) |
May 14, 1903 |
S. B. M. / G. S. |
|
| 47. |
Op. 10 No. 5 and Op. 25 No. 9, two studies combined, G-flat major (\'Badinage\') |
June 9, 1903 |
S. B. M. / G. S. |
|
| 48. |
Op. 10 No. 11 and Op. 25 No. 3, two studies combined, F major |
May 14, 1903 |
S. B. M. / G. S. |
|
| - |
Op. 25 No. 4 and Op. 25 No. 11, two studies combined |
- |
(unpub.) |
|
| - |
Op. 10 No. 2, Op. 25 No. 4, and Op. 25 No. 11, three studies combined |
- |
(unpub.) |
|