Title |
Subtitle |
Date and place of composition
Date of publication |
Publisher |
Dedication and notes |
Isaac Albeniz |
Tango in D, Op. 165 No. 2 (concert version) |
July 12, 1921
Chicago
September 5, 1921 |
C. F. |
|
Triana from Iberia, Book II, No. 3 (concert arrangement) |
October 24, 1922
S. S. Empress of Canada
March 31, 1938 |
C. F. |
Arthur Rubinstein |
Anonymous |
See anthologies |
Johann Sebastian Bach |
Sonatas and suites for violin and violoncello solo (very freely transcribed and adapted) |
-
May 5, 1924 |
C. F. |
|
Ludwig van Beethoven |
Kadenzen zum 4. Klavierkonzert, G dur, Op. 58 |
-
September 2, 1909 |
S. B. M. |
|
Georges Bizet |
Adagietto from L'Arlésienne |
August 16, 1927
Evanston, IL
December 21, 1927 |
C. F. |
Leonard S. Saxe |
Carl Bohm |
Calm As The Night (Still wie die Nacht) |
-
March 2, 1921 |
C. F. |
|
Frédéric François Chopin |
Concert arrangement of the Rondo in E-flat major, Op. 16 |
-
August 29, 1899 |
A. P. S. |
Carl Faelton |
Concert paraphrase of the Waltz in E-flat major, Op. 18 |
-
August 29, 1899 |
A. P. S. |
Otto Pfefferkorn |
Studies on Chopin's Etudes |
|
|
|
Waltz in D-flat major, Op. 64 No. 1 (concert arrangement) |
October 29, 1922
S. S. Empress of Canada
November 14, 1923 |
C. F. |
|
Waltz in A-flat major, Op. 64 No. 3 (concert arrangement) |
March 24, 1927
London
December 21, 1927 |
C. F. |
Leff Pouishnoff |
Waltz in A-flat major, Op. 69 No. 1 (concert arrangement) |
April 18, 1927
Paris
December 21, 1927 |
C. F. |
Camille Decreus |
Waltz in F-minor, Op. 70 No. 2 (concert arrangement) |
April 14, 1927
Paris
December 21, 1927 |
C. F. |
Archy Rosenthal |
Waltz in D-flat major, Op. 70 No. 3 (concert arrangement) |
July 1920
Kansas City
March 2, 1921 |
C. F. |
Gertrude Huntley Green |
Arcangelo Corelli |
See anthologies |
François Dandrieu |
See anthologies |
Benjamin Godard |
Canzonetta in B-flat major from Violin Concerto Romantique |
August 15, 1927
Evanston, IL
December 21, 1927 |
C. F. |
Jerome D. Kern |
Adolf von Henselt |
Etude in F-sharp major, Op. 2 No. 6, Si oiseau j'etais (concert arrangement) |
-
August 29, 1899 |
A. P. S. |
Alexander Lambert |
Etude in F-sharp major, Op. 2 No. 6, Si oiseau j'etais (concert arrangement with cadenza) |
|
Hofmeister, Leipzig |
Felix Blumenfeld |
Etude in F-sharp major, Op. 2 No. 6, Si oiseau j'etais (transcription) |
December 1931 |
C. F. |
Alexander Raab |
Fritz Kreisler |
Rondino on a theme by Beethoven |
-
October 26, 1916 |
C. F. |
Mischa Elman |
Jean-Baptiste Loeillet |
See anthologies |
Jean-Baptiste Lully |
See anthologies |
Wolfgang Amadeus Mozart |
Two cadenzas to Concerto in E-flat for two pianos, K. 365 |
September 1920
Los Angeles
August 3, 1921 |
C. F. |
Gertrude Huntley |
Cadenzas to the first and last movements of Concerto in C minor, K. 491 |
September 5, 1905
Schierke, Germany
October 5, 1925 |
C. F. |
Vera Kaplun Aronson |
Cadenza to Concerto in A major, K. 488 |
June 27, 1927
Evanston, IL
December 17, 1927 |
C. F. |
Maurice Aronson |
Giovanni Pergolesi |
See anthologies |
Jean-Philippe Rameau |
See anthologies |
Camille Saint-Saëns |
Le cygne |
August 16, 1927
New York
December 21, 1927 |
C. F. |
John George Hinderer |
Le cygne (transcribed for violin and piano) |
-
May 1, 1929 |
C. F. |
Isidore Achron
violin part fingered and phrased by Leo Godowsky |
Domenico Scarlatti |
See anthologies |
(unpub.) |
|
Johann Schobert |
See anthologies |
Franz Schubert |
Ballet music from Rosamunde (concert arrangement) |
October 27, 1922
S. S. Empress of Canada
November 14, 1923 |
C. F. |
|
Moment Musical in F minor, Op. 94 No. 3 (arranged and transcribed in F-sharp minor) |
January 14, 1922
Rio de Janeiro
November 17, 1922 |
C. F. |
Mrs. Ernest Newman (U. K. printing)
Simeon Rumschisky (U. S. printing) |
Twelve Schubert Songs (transcribed for piano) |
-
August 3, 1927 |
C. F. |
|
Robert Schumann |
A Flower to Me Thou Seemest (Du bist wie ein Blume), Op. 25 No. 24 |
-
March 2, 1921 |
C. F. |
|
John Stafford Smith |
The Star-Spangled Banner (concert version) |
-
February 2, 1921 |
G. S. |
|
Johann Strauss II |
Symphonische Metamorphosen Johann Strauss'cher Themen, Drei Walzer-paraphrasen für das Pianoforte zum Concert Vortrag |
-
September 16, 1912 |
Cranz |
|
I. Künstlerleben |
1905
Vienna |
Herrn and Frau Josef Simon |
II. Die Fledermaus |
1907
Vienna |
Frau Johann Strauss |
III. Wein, Weib und Gesang |
|
Dr. Heinrich Steger |
Symphonic Metamorphosis of the Schatz-Waltzer themes from The Gypsy Baron, for left hand alone |
May 1928
Vienna
February 18, 1941 |
C. F. |
Simon Barere
edited by David Saperton |
Richard Strauss |
Ständchen (Serenade), Op. 17 No. 2 |
May 25, 1922
New York
October 14, 1922 |
C. F. |
|
Various |
See anthologies |
Carl Maria von Weber |
Invitation to the Dance, Op. 65 (contrapuntal arrangement) |
-
September 25, 1905 |
S. B. M. |
Ferruccio Busoni |
Contrapuntal paraphrase on Invitation to the Dance, for two pianos, with an optional accompaniment of a third piano |
-
May 22, 1922 |
C. F. |
Guy Maier and Lee Pattison |
Momento capriccioso, Op. 12 (concert arrangement) |
-
July 15, 1904 |
S. B. M. |
Johan Wijsman |
Perpetuum mobile (Rondo aus der Sonate, Op. 24, concert arrangement) |
-
May 14, 1903 |
S. B. M. |
|