请问哪位大虾能帮我找到liszt这个谱子
感激不尽
有的,介绍呢??
dagger 你好！我对liszt这首曲子不是很熟悉的 只是每次听的时候都有想自己试一试的冲动
我在网上google过，可是没有什么收获 看看这个行不行 (我的邮箱是andrewmatie@yahoo.com)
The “Waltz from Faust” falls into a different category altogether, that of the operatic paraphrase, a free adaptation of music from another work. Charles Gounod’s opera, based on Goethe’s retelling of the Faust legend, had its premiere in Paris on March 19, 1859. By this point in Liszt’s career, he no longer felt the proselytizing zeal to promote other composers’ compositions, nor did he require virtuoso showpieces for himself, having been long retired from the concert stage. If he prepared a transcription or a paraphrase, it was because he had a high regard for the music, and his attraction to Gounod’s Faust must have been immediate, for he purchased the vocal score later that year. Shortly thereafter Liszt was in Paris, and in a letter of May 1861 he speaks of a dinner with the composer: “Gounod had brought the score of his Faust, and I presented him with his Waltz for dessert . . .” In the well-known story, Faust desires to regain his lost youth, especially his missed opportunity for love, and he makes a deal with the devil (Méphistophélès) in exchange for his soul. Liszt focused on Faust’s relationship with Marguerite, beginning with the scene at the “Kermesse” (“Village Fair”) in Act 2 and the lively waltz that accompanies it. Although freely adapted, Liszt follows the basic outlines of the scene, which leads to their first meeting. The waltz fades away, and their conversation (which Liszt prints in the score) is not promising: Faust “Will you not allow me, my beautiful young lady, to offer you my arm and walk with you?” Marguerite “No, monsieur! I am neither a young lady, nor beautiful, and I have no need of your arm!” Liszt extends this section with a theme from their love duet in Act 3. The added music enables the focus to remain on the two lovers and also provides the central section with added weight to contrast effectively with the return of the waltz. As the waltz is repeated, Liszt enhances the conclusion with all manner of virtuoso fireworks, including brilliant use of the glissando.
dagger:
不知道什么原因我还没有收到，能否请你再重发一次呢
我的yahoo邮箱 andrewmatie@yahoo.com
我的新浪邮箱 bruce_le@sina.com
这次这两个邮箱你可以都试一试 应该没有问题了
谢谢了
谢谢dagger了！邮件我已收到了！不知道还有bonus呢：）
方便的话能留下联系方式吗？电话或者qq都可以，和想和你交个朋友！