共6 条记录, 每页显示 10 条, 页签: [1]

标题：戈多夫斯基改编的肖邦练习曲列表

1楼

月光浩 发表于：2005-7-24 2:42:39

No.	Title	Date of publication	Publisher	Dedication
1.	Op. 10 No. 1, C major (diatonic)	June 24, 1899	G. S.
1.	Op. 10 No. 1, C major (diatonic)	May 14, 1903	S. B. M. / G. S.	Theodor Leschetizky
2.	Op. 10 No. 1, D-flat (left-hand alone)	September 3, 1909	S. B. M. / G. S.
3.	Op. 10 No. 2, A minor (left-hand alone)	June 24, 1899	G. S.
3.	Op. 10 No. 2, A minor (left-hand alone)	April 27, 1903	S. B. M. / G. S.
4.	Op. 10 No. 2, A minor ('Ignis Fatuus')	May 14, 1903	S. B. M. / G. S.	Moriz Rosenthal
-	Op. 10 No. 2, A minor	-	(unpub.)
5.	Op. 10 No. 3, D-flat major (left-hand alone)	September 3, 1909	S. B. M. / G. S.
6.	Op. 10 No. 4, C-sharp minor (left-hand alone)	September 3, 1909	S. B. M. / G. S.
7.	Op. 10 No. 5, G-flat major (on black keys)	June 24, 1899	G. S.
7.	Op. 10 No. 5, G-flat major (on black keys)	May 14, 1903	S. B. M. / G. S.
8.	Op. 10 No. 5, C major (on white keys)	April 27, 1903	S. B. M. / G. S.	Albert Friedenthal
9.	Op. 10 No. 5, A minor (Tarantella)	April 27, 1903	S. B. M. / G. S.	Willy Rehberg
10.	Op. 10 No. 5, A major (Capriccio; study on black and white keys)	April 27, 1903	S. B. M. / G. S.	Ernesto Consolo
11.	Op. 10 No. 5, G-flat major (inversion, for the left hand, on black keys)	September 3, 1909	S. B. M. / G. S.
12.	Op. 10 No. 5, G-flat major (inversion, for the right hand, on black keys)	September 3, 1909	S. B. M. / G. S.
12a.	Op. 10 No. 5, G-flat major (left-hand alone)	September 3, 1909	S. B. M. / G. S.
-	Op. 10 No. 5	-	(unpub.)
-	Op. 10 No. 5	-	(unpub.)
13.	Op. 10 No. 6, E-flat minor (left-hand alone)	September 3, 1909	S. B. M. / G. S.
14.	Op. 10 No. 7, C major (Toccata)	June 24, 1899	G. S.
14.	Op. 10 No. 7, C major (Toccata)	April 27, 1903	S. B. M. / G. S.	Franz Kullak
15.	Op. 10 No. 7, G-flat major (Nocturne)	May 14, 1903	S. B. M. / G. S.	Arthur Friedheim
15a.	Op. 10 No. 7, E-flat major (left-hand alone)	December 1, 1914	S. B. M. / G. S.	Hans von Schiller
16.	Op. 10 No. 8, F major	May 14, 1903	S. B. M. / G. S.	Teresa Carreño
16a.	Op. 10 No. 8, G-flat major (left-hand alone)	December 1, 1914	S. B. M. / G. S.	William L. Hubbard
17.	Op. 10 No. 9, C-sharp minor	May 14, 1903	S. B. M. / G. S.
18.	Op. 10 No. 9, F minor (imitation of Op. 25 No. 2)	May 14, 1903	S. B. M. / G. S.
18a.	Op. 10 No. 9, F-sharp minor (left-hand alone)	September 3, 1909	S. B. M. / G. S.
19.	Op. 10 No. 10, D major	May 14, 1903	S. B. M. / G. S.
20.	Op. 10 No. 10, A-flat major (left-hand alone)	December 1, 1914	S. B. M.
21.	Op. 10 No. 11, A major (left-hand alone)	May 14, 1903	S. B. M. / G. S.	Maurice Aronson
22.	Op. 10 No. 12, C-sharp minor (left-hand alone)	September 3, 1909	S. B. M. / G. S.
23.	Op. 25 No. 1, A-flat major (left-hand alone)	May 14, 1903	S. B. M. / G. S.	William Mason
24.	Op. 25 No. 1, A-flat major (like a piece for four hands)	April 27, 1903	S. B. M. / G. S.
25.	Op. 25 No. 1, A-flat major	July 25, 1904	S. B. M. / G. S.
26.	Op. 25 No. 2, F minor	May 14, 1903	S. B. M. / G. S.	Vladimir de Pachmann
27.	Op. 25 No. 2, F minor (Waltz)	May 14, 1903	S. B. M. / G. S.	Josef Hofmann
28.	Op. 25 No. 2, F minor (Two separate versions: a. for the right hand; b. in octaves)	May 14, 1903	S. B. M. / G. S.
28a.	Op. 25 No. 2, F-sharp minor (left-hand alone)	December 1, 1914	S. B. M. / G. S.
29.	Op. 25 No. 3, F major	July 25, 1904	S. B. M. / G. S.	Ludwig Breitner
30.	Op. 25 No. 3, F major (left-hand alone)	July 1, 1914	S. B. M.
31.	Op. 25 No. 4, A minor (left-hand alone)	June 24, 1899	G. S.
31.	Op. 25 No. 4, A minor (left-hand alone)	July 25, 1904	S. B. M. / G. S.
32.	Op. 25 No. 4, F minor (Polonaise)	May 14, 1903	S. B. M. / G. S.
33.	Op. 25 No. 5, E minor	June 24, 1899	G. S.
33.	Op. 25 No. 5, E minor	October 20, 1905	S. B. M. / G. S.
34.	Op. 25 No. 5, C-sharp minor (in the form of a mazurka)	July 25, 1904	S. B. M. / G. S.	Prof. E. E. Taubert
35.	Op. 25 No. 5, B-flat minor (left-hand alone)	December 1, 1914	S. B. M.
36.	Op. 25 No. 6, G-sharp minor (study in thirds)	December 4, 1894	H. K.	Camille Saint-Saëns
		June 24, 1899	G. S.
		October 20, 1905	S. B. M. / G. S.
-	Op. 25 No. 6	-	(unpub.)
-	Op. 25 No. 7	-	(unpub.)
37.	[does not exist]
38.	Op. 25 No. 8, D-flat major (study in sixths)	July 25, 1904	S. B. M. / G. S.	Ignace Jan Paderewski
-	Op. 25 No. 8, D-flat major (study in thirds)	-	(unpub.)
39.	Op. 25 No. 9, G-flat major	June 24, 1899	G. S.
39.	Op. 25 No. 9, G-flat major	July 25, 1904	S. B. M. / G. S.
40.	Op. 25 No. 9, G-flat major (left-hand alone)	December 1, 1914	S. B. M.
41.	Op. 25 No. 10, B minor (left-hand alone)	December 1, 1914	S. B. M.
42.	Op. 25 No. 11, A minor	July 25, 1904	S. B. M. / G. S.
43.	Op. 25 No. 12, C-sharp minor (left-hand alone)	September 3, 1909	S. B. M. / G. S.
44.	Trois nouvelles études No. 1, F minor (left-hand alone)	December 1, 1914	S. B. M.
45.	Trois nouvelles études No. 2, E major (left-hand alone)	March 24, 1906	S. B. M. / G. S.
45a.	Trois nouvelles études No. 2, D-flat major	December 1, 1914	S. B. M.
46.	Trois nouvelles études No. 3, G major (Menuetto)	May 14, 1903	S. B. M. / G. S.
47.	Op. 10 No. 5 and Op. 25 No. 9, two studies combined, G-flat major ('Badinage')	June 9, 1903	S. B. M. / G. S.
48.	Op. 10 No. 11 and Op. 25 No. 3, two studies combined, F major	May 14, 1903	S. B. M. / G. S.
-	Op. 25 No. 4 and Op. 25 No. 11, two studies combined	-	(unpub.)
-	Op. 10 No. 2, Op. 25 No. 4, and Op. 25 No. 11, three studies combined	-	(unpub.)

2楼

BMweb 发表于：2005-7-25 1:34:38

这个除了Hamelin之外还有人录得又全又好吗？（Hamelin弹的是我听到过唯一没让我注意到技巧艰辛而是完全享受里面的音乐内容的。原来看/听Godowsky的肖练只是为了过过技巧瘾，Hamelin的却能让我一直放在音响里播放，越听越美！）

3楼

月光浩 发表于：2005-7-25 12:59:37

Hamelin演绎的全集的确完美啊，除了Hamelin的全集，还有几个录过的，单曲方面也有更出色的，但全集恐怕没人能比过Hamelin了！遗憾的是，有少数乐谱遗失了，比如OP25中左手旋律那条，还有几首黑键，相信戈改编的也非常精彩！

4楼

BMweb 发表于：2005-7-25 22:48:52

对呀，相信不久的将来会找到的=）

单曲的也可以亚，谁比较好？

5楼

月光浩 发表于：2005-7-26 0:10:05

比如他的学生bolet演奏的黑键也是很不错的，我曾经在音乐堂放过珍贵的视频，现在连接有问题，以后恢复吧！

6楼

神秘客人 发表于：2006-1-22 18:25:14

我说一个， Joyce Hatto的全集录音，可以说能跟Hamelin平分秋色，但最重要的还不是这个问题，而是她是女性，而且是她老人家75－76岁录音的，强死了！（此外，她还第一次录肖练都60多岁，第2次录肖练也是75岁，但弹得很漂亮，赞！）

共6 条记录, 每页显示 10 条, 页签: [1]