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标题：意大利的一位歌剧作曲奇才——切马罗萨（Domenico Cimarosa，1749~1801）
1楼
liuyi-chin 发表于：2006-10-19 8:05:09
 

意大利的一位歌剧作曲奇才——切马罗萨（Domenico Cimarosa，1749~1801）

切马罗萨（Domenico Cimarosa，1749~1801），意大利人，父为石匠，早年学于洛雷托马利亚音乐院，先后在彼得堡和维也纳任宫廷乐长，是当时著名的歌剧作家，这是一位在多尼采蒂、罗西尼之前的意大利歌剧作曲家巨匠，歌剧数量在70余部，作品笔调类似莫扎特，笔法清新，旋律优美动人，代表作为《秘婚记》（Il Matrimonio Segreto）。在意大利歌剧史上这是一位至关重要的人物， 正是由于他承前启后的努力才使得意大利歌剧能够有今天那种百花齐放、百家争鸣的局面。但他的歌剧CD发行得很少，真正发行的有13套歌剧全剧，除《秘婚记》是四个版本外，其他歌剧只有独一无二的一个版本，而实际上一些意大利小公司发行的CD，还不止这个数量，而且网上CD的标价相当贵，一张单碟要近19美元。他的歌剧品种是我及其他歌剧迷闻所未闻、听所未听的，我在最近才弄到一张《秘婚记》1986年的现场DVD，而在这13个全套歌剧版本中居然有四个是现场，非常之值得期待。在这里我把手头上有关这位作曲家的资料收集整理，供大家查阅。作曲家中文资料可供查阅的不多，把英文资料一并上传给大家分享了。第一部分有序号的是CD、DVD版本介绍，之后是作曲家英文资料，最后是他的主要作品清单。1.<Gianina E Bernardone>

Performer:  Graziella Sciutti (Soprano), Sesto Bruscantini (Bass Baritone), Sena Jurinac (Soprano),
Disma De Cecco (Soprano), Mario Carlin (Tenor), Mario Boriello (Tenor)
Conductor:  Nino Sanzogno
Orchestra/Ensemble:  Italian Radio Symphony Orchestra Milan,  Italian Radio Chorus Milan,.

Date of Recording: 7/26/1953   Venue:  Live  Milan, Italy      Label:  Gop (Great Opera Performances)  

 CD Catalog #: 66322   Spars Code: ADD (Mono)  Length: 2 Hours 8 Mins

2. <Amor Rende Sagace>

Performer:  Enzo Dara (Bass Baritone), Gemma Bertagnolli (Soprano), Maurizio Dalena (Tenor),
Mattia Nicolini (Bass), Cristina Mantese (Soprano), Daniela Bruera (Soprano)
Conductor:  Fabio Neri   Orchestra/Ensemble:  Claudio Monteverdi Conservatory Orchestra

Date of Recording: 7/1991 Venue:  Live  Bolzano, Italy 
Length: 107 Minutes 14 Secs.  Label:  Bongiovanni    CD Catalog #: 2126  

3.<Armida Immaginaria>

Performer:  Alla Simonichvili (Soprano), Anna Rossa Peraino (), Domenico Colaianni (Baritone),
Piero Guarnera (Baritone), Giovanna Donadini (Soprano), Simon Edwards (Tenor),
Massimiliano Chiarolla ()
Conductor:  Eric Hull
Orchestra/Ensemble:  Catania Teatro Massimo Bellini Opera Orchestra,  Bari Teatro Petruzzelli Chorus

Date of Recording: 8/1997    Label:  Dynamic    CD Catalog #: 205/1-3   Spars Code: DDD   

4. <Gli Orazi E I Curiazi>

Performer:  Angela Vercelli (Soprano), Giulietta Simionato (Mezzo Soprano), Tomaso Spataro (Tenor),
Gino Del Signore (Tenor)
Conductor:  Carlo Maria Giulini
Orchestra/Ensemble:  Italian Radio Symphony Orchestra Milan,  Italian Radio Chorus Milan

Date of Recording: 04/13/1952   Venue:  Live  Milan, Italy  Label:  Urania   CD Catalog #: 264   Mono

5. <L'impresario In Augustie>

Performer:  Gioacchino Zarrelli (Baritone), Alessandro Codeluppi (Tenor), Paolo Macedonio (Tenor),
Angelo Romero (Baritone), Diana Bertini Tosti (Mezzo Soprano), Paola Quagliata (Soprano),
Patrizia Zanardi (Soprano)
Conductor:  Fabio Maestri
Orchestra/Ensemble:  Umbra Symphonic Association Orchestra,  Umbra Symphonic Association Chorus

Date of Recording: 11/1997   Label:  Bongiovanni   CD Catalog #: 2255  

6. <L'italiana In Londra>

Performer:  Patrizia Orciani (Soprano), Maurizio Comencini (Tenor), Armando Ariostini (Baritone),
Bruno Praticò (Baritone), Maria Angeles Peters (Soprano)
Conductor:  Carlo Rizzi    Orchestra/Ensemble:  Piacenza Symphony Orchestra  Date of Recording: 10/14/1986   Length: 1 Hours 57 Mins Label:  Bongiovanni  

 CD Catalog #: 2040   Spars Code: DDD 

7. <La Cleopatra>

Performer:  Patricia Morandini (), Luca Favaron (Tenor), Maria Pia Moriyon (Mezzo Soprano)
Conductor:  Franco Piva
Orchestra/Ensemble:  City of Adria Philharmonic Orchestra,  City of Adria Chorus

Label:  Bongiovanni  CD Catalog #: 2395/6  Recorded in: Stereo   Release Date: 04/25/2006 

8. <Il Pittor Parigino>

Performer:  Gérard Garino (Tenor), Márta Szúcz (Soprano), József Gregor (Bass)
Conductor:  Tamás Pál    Orchestra/Ensemble:  Salieri Chamber Orchestra  Length: 140 Minutes 

Label:  Hungaroton   CD Catalog #: 12972/3   Spars Code: DDD 

9. <I Tre Amanti>

Performer:  Basia Retchitzka (Soprano), Rodolfo Malacarne (Tenor), Carlo Gaifa (Tenor),
Laerte Malaguti (Baritone), Maria-Grazia Ferraccini (Soprano)
Conductor:  Edwin Loehrer   Orchestra/Ensemble:  Italian Switzerland Radio/TV Orchestra

Date of Recording: 1968   Label:  Nuova Era   CD Catalog #: 1052   Spars Code: ADD 

10. <La Finta Parigina>

Performer:  Alessandro Battiato (Bass Baritone), Alice Sunseri (), Giovanni Bellavia (Baritone),
Nunzio Galli (Tenor), Alessio Sparacio (Mezzo Soprano), Rosita Ramini (Soprano),
Juan Gambina (Tenor), Paolo Cutolo (Baritone), Annarita Gemabella (Mezzo Soprano)
Conductor:  Danilo Lombardini  Orchestra/Ensemble:  Franco Ferrara Philharmonic Orchestra of Sicily

Label:  Bongiovanni   CD Catalog #: 2269/71   Recorded in: Stereo 

11. <Le astuzie femminili>

Performer:  Anna Maria Rota (Alto), Graziella Sciutti (Soprano), Luigi Alva (Tenor),
Sesto Bruscantini (Baritone), Renata Mattioli (Mezzo Soprano), Franco Calabrese (Bass)
Conductor:  Mario Rossi
Orchestra/Ensemble:  Alessandro Scarlatti Orchestra,  Alessandro Scarlatti Chorus

Date of Recording: 1959   Recorded in: Mono   Length: 1 Hours 52 Mins

Label:  Opera D'oro    CD Catalog #: 1365  

12. <Le Donne Rivali>

Performer:  Emanuele Giannino (), Bruno Praticò (Baritone), Bruno Lazzaretti (Tenor),
Alessandra Ruffini (Soprano), Anna Rita Taliento (Soprano)
Conductor:  Alberto Zedda    Orchestra/Ensemble:  Padua and Veneto Orchestra

Date of Recording: 9/1994    Venue:  Live  Teatro degli Illuminati, Perugia, Italy 

Label:  Bongiovanni    CD Catalog #: 2186/87  

13. <Il Matrimonio Segreto>

Performer:  David Kuebler (Tenor), Georgine Resick (Soprano), Barbara Daniels (Soprano),
Carlos Feller (Bass)    Conductor:  Hilary Griffiths  
Orchestra/Ensemble:  Drottningholm Court Theatre Orchestra  Recorded live at the Theatre Schwetzingen , June 1986  Running Time: 153 mins   Label:  Euroarts   DVD Catalog #: 2054548  

Domenico Cimarosa (17 December 1749, Aversa – 11 January 1801, Venice) was an Italian opera composer.

Early life and education

His parents were poor, but anxious to give their son a good education. After moving to Naples, they sent him to a free school connected with one of the monasteries in that city. The organist of the monastery, Padre Polcano, was struck by the boy's intellect, and voluntarily instructed him in the elements of music, and also in the ancient and modern literature of his country. Because of his influence, Cimarosa obtained a scholarship at the musical institute of Santa Maria di Loreto, where he remained for eleven years, chiefly studying the great masters of the old Italian school. Niccola Piccinni, Antonio Maria Gaspare Sacchini, and other musicians of repute are mentioned among his teachers.

Early career

At the age of twenty-three, Cimarosa began his career as a composer with an opera buffa called Le stravaganze del conte, first performed at the Teatro del Fiorentini at Naples in 1772. The work met with approval, and was followed in the same year by Le pazzie di Stelladaura e di Zoroastro, a farce full of humour and eccentricity. This work was also successful, and the fame of the young composer began to spread all over Italy. In 1774 he was invited to Rome to write an opera for the stagione of that year; and there he produced another comic opera called L'italiana in Londra.

Mid-life

Over the next thirteen years, Cimarosa wrote a number of operas for the various theatres of Italy, living temporarily in Rome, in Naples, or wherever else his vocation as a conductor of his works happened to take him. From 1784 to 1787 he lived in Florence, writing exclusively for the theatre of that city. The productions of this period of his life are very numerous, consisting of operas, both comic and serious, cantatas, and various sacred compositions. The following works may be mentioned, among many others: Cajo Mario; the three Biblical operas, Assalone, La giuditta and Il sacrificio d'Abramo; also Il convito di pietra; and La ballerina amante, a comic opera first performed at Venice with enormous success.

Around 1788, Cimarosa went to St. Petersburg by invitation of Empress Catherine II. He remained at her court for four years and wrote an enormous number of compositions, mostly of the nature of pièces d'occasion. Of most of these not even the names are on record. In 1792 Cimarosa left St. Petersburg, and went to Vienna at the invitation of Emperor Leopold II. Here he produced his masterpiece, Il matrimonio segreto, which ranks among the highest achievements of light operatic music. In 1793 Cimarosa returned to Naples, where Il matrimonio segreto and other works were received with great acclaim. Among the works belonging to his last stay in Naples may be mentioned the charming opera Le astuzie femminili.

This period of his life is said to have been embittered by the intrigues of envious and hostile persons, among whom figured his old rival Giovanni Paisiello. During the occupation of Naples by the troops of the French Republic, Cimarosa joined the liberal party, and on the return of the Bourbons, was, like many of his political friends, condemned to death. By the intercession of influential admirers his sentence was commuted to banishment, and he left Naples with the intention of returning to St. Petersburg. But his health was broken, and after much suffering he died in Venice on 11 January 1801, of inflammation of the intestines. The nature of his disease led to the rumor of his having been poisoned by his enemies, which, however, a formal inquest proved to be unfounded. He worked till the last moment of his life, and one of his operas, Artemizia, remained unfinished at his death.

Main works

 

2楼
liuyi-chin 发表于：2006-10-27 14:32:26
一份失败的主题上传了，本来是要向大家介绍一位不熟悉的新人，但这里是一个钢琴专业网站，的确是太专业了，未必能引起共鸣，日后不再做这样的傻事了。
3楼
azure_sea 发表于：2006-10-27 15:36:38
楼主别这么说……我实在对这位作曲家闻所未闻……自然不敢发表意见……
4楼
飘飘0919 发表于：2007-1-15 15:51:47

呵呵，楼主可千万不要这么说，给两张照片支持一下！

另外，http://www.epdlp.com/compclasico.php?id=986这个网站里有他作品的视听，感兴趣的朋友可以去看一下！

图片点击可在新窗口打开查看图片点击可在新窗口打开查看

5楼
liuyuforever 发表于：2007-1-21 6:36:06

有意思，谢谢，有空找点他的谱子看看。

顶一下！！！

6楼
liuyi-chin 发表于：2007-2-14 6:56:36
感谢司令飘飘提供这位歌剧天才人物这么好的网站专辑，我自己也未发现这个网站，多谢了！！
7楼
月光浩 发表于：2007-2-14 11:46:52
恩，这篇介绍以前看过，应该是维基百科上的，歌剧很难接触到，因为在国内第一没什么人演，就是演也很少演他的。听录音由于语言障碍不见得能理解多少，我在歌剧院听现场歌剧必须听熟悉的，听莫扎特的多些，其他人的我很少听，因为语言的确是大问题，歌剧不之是音乐艺术更重要的还有语言的艺术，所以这样的歌剧更难被大家接受。恩最早接触Cimarosa应该是从他的一些钢琴奏鸣曲开始的，是一些简单干净的古典时期奏鸣曲。不过那个时期有莫扎特这样优秀的作曲家写出那样优秀的钢琴作品，我想Cimarosa这些钢琴作品很难得到重视，毕竟在欧洲古典音乐界那个时代基本上成了莫扎特的时代。
8楼
U-Best1987 发表于：2007-2-18 10:29:50

古典音乐也有一边倒的现象，就是说当一个时期都有群星灿烂时，那么最亮的一颗星必定会将其它星星全部掩盖住，就像贝多芬时代，施伯特就永无出人头地之日。

9楼
飘飘0919 发表于：2007-2-28 15:31:23
各界总有明星嘛……不过楼上说的“贝多芬的时代，舒伯特（我像你所说的施伯特应该就是舒伯特吧）就永无出人头地之日”这句话不怎么正确哦！两个不同时代的人是没有可比性的，就好像问是莫扎特比较明星呢还是巴赫比较明星一样，舒伯特在浪漫主义这一时期也堪称是明星的啊！尤其是在艺术歌曲这一领域！
10楼
jackiejojo 发表于：2007-3-1 19:59:04
it's wonder introduction!thanks for sharing
共11 条记录, 每页显示 10 条, 页签: [1] [2]
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